[41] Long buried memories of utopian dreams

Paul can sit down in a room with a book, or fall asleep on the couch, or fix a faucet drip, but not until after he’s back from somewhere. It’s as if the world – the thought of it – chews on him all day in the studio and he needs to go…

[40] The sublime and final city

Colours are something the world demands you see. If I was making the world, it wouldn’t be in colour. But it does have them, so I stare them down, and then for the relief, I work in black and white and add a touch of colour as if it was medicine…

[39] Blindness, madness, other terrors

There’s a game I play within my head – when Paul goes off somewhere, I don’t ask myself where. I blot out the question. Instead I wait for him to come back, and look at him and ask myself what he’s seen. He always shows me from the drawings…

[38] Mister Professor

On the boulevard, the speed of his walk leaves passers-by in his wake, draughts horsedrawn carts alongside him. Nothing is chasing him but much is pulling him forward. A narrower street would not contain him – he would bowl over pedestrians…

[37] To look down into the drained pool

Paul thinks I’ll go home after tonight and tear a strip from him, since I’ve done it enough. But no ... I’ll go home with Paul and Johnny, and close the door behind us, and tell myself, ‘This is ours.’ Our bed, Paul’s studio, the…

[36] A forest of thronging spirits

The Aaronsons have sent a cab for us, but on the street, where grandfather is waiting, Emma tells us, ‘I want to walk.’ With the air and the pavements clear, probably she can do it, with grandfather and me carrying Johnny in his bundle.…

[35] The last fingers of leaf

I make Emma laugh. It’s the best thing I can do, because when she’s laughing she isn’t crying or arguing. She scared me that day at the Rosemeyrs’, though I’ll never tell her. It won’t help her stop being afraid, to know I was frightened…

[34] Songs humbled and stilled

Paul likes to make me laugh, because when I’m laughing I’m not crying, or arguing with him. I can’t do either while I’m laughing. Now Johnny tries to make me laugh, too. He hasn’t yet, but I can see him trying. He’s started to recognize…

[33] The sun shines on the living and the dead

We’re at grandfather’s table on a Sunday afternoon with Johnny napping in a padded cabbage crate by the stove and the remains of lunch between us, soup plates and half a rye loaf and a half-emptied carton of plum squares from the Sun Room…

[32] Miracle, mystery, authority, all three

When you’ve been with one woman for seven years, you want to tell yourself that probably you know her. It’s better to know other people. Knowing yourself is overrated – it doesn’t help much. Insight is a box with another box inside,…

[31] A form of spirited motion

Emma left before me this morning, in a cab, with Johnny, for Gus. This time I know, but when I don’t, I don’t ask her where she’s going. I ask her where she’s been when she comes back, because she likes me to, though I don’t have to…

[30] We understand and then we die

  And this morning I’m going to Gus’s studio, which means another fiaker, on another day that Paul’s gone out to his models. It drops me and Johnny at the mouth to a narrow lane off the High Street of the Seventh Quarter, the carriage…

[29] Does the soul have a fate?

  Since than night at the Marzipan, I’ve wanted to take Johnny to the zoo behind the Pleasure Palace at the base of the Imperial Folly. There’s an excursion for us. I want to take him there while he’s still an animal himself. So…

[28] The poorly trained soul

When I walk, where doesn’t Paul see me go? I can make the hundred metres to the tram stop without stopping to rest. Then the tram takes me across the river down the Grand Artery to grandfather’s shop on the Isle of Jews. Yesterday afternoon…

[27] The black, death dealing hand

Yesterday I pushed Johnny’s perambulator all the way up Procession Street as far as the Opera House. I’d been hearing that street through our north windows, from out of sight, and now I wanted to see it again. Mistake, with the pedestrians…

[26] Man will be cheated of experience by technology

  I was meant to always negotiate my life, coming up to it sideways on soft soles in conditional mode: would, could, should, ought, a function of everyone else’s desired whims. I’m only glad my teachers were a bad example, or a reverse…

[25] The devouring of immortality

[25] The devouring of immortality   Stand on a sidewalk within sight of Poland Station for ten minutes and count all the people who pass – the ones tumbling out of the factories, the downlooking streetsweepers, the mail carriers and…

[24] Far can a single impulse extend

Our second week returned, the Friday after dinner, Paul would be playing with the little guy at home, but instead we’re going out farther than the Singing Swan (where we all can be seen every two nights or three). I need to pretend everything…

[23] Unity, visible or not

Before I left for the studio this morning, she called me into the bedroom. She was with her pants around her ankles. ‘I need those,’ she declared, and pointed to her pants drawer. I helped her step out of the old ones and into new ones,…

[22] Prophecies of the moonmaidens

The first few mornings back, Paul doesn’t blink or stare when I bring Johnny to the studio. We’re there till lunch. He doesn’t notice us much unless Johnny starts to cry, and then he flips a drool cloth over his shoulder and carries him,…

[21] Yet my thoughts somehow contain you

On less pointful days I would have walked the four hours to the hunting lodge. This month of the year, though, one cloud at the wrong time can ruin the light and the day for me. So I take a cab for the last part to make sure I find the best…

[20] How does one reconcile with history?

Mornings – I’ve told you. They’re when people pull down their masks so that all you can know is what their motions tell you, everyone spin-dancing down the pavement, alone. Fear masks, trouble masks, masks of time-sodden rage, and their…

[19] False dreams cling without number

When Paul is near, I always know who I am and what I’m doing and what’s happening around me. Before he was in my life and when he’s not in it now, I learned to keep steady with practical things. I pay the bills, I deposit the draughts,…

[18] How do we know we love?

Paul went yesterday afternoon to ask Rosemeyr who the guy was, whose name I don’t know. There was no point telling him not to. He had a reason to walk that way, and after cracking his head open the night before, I owed him some tolerance. I’m…

[17] Social idealism, and its affects

Six weeks is a long time away. I’ve used up six lives in one week. In the afternoon crowds, nothing looks normal to me yet, and it’s good to see everything fresh, looking brighter despite itself, than its nature. If I passed the cathedral,…